Human Kindness!

Sep. 25th, 2025 07:51 am[personal profile] labingi
labingi: (Default)
7:45 am, and I have already been the recipient of human kindness. Asked the fellow at disability center if they could convert PDFs to Word for me so to spare me screen time during a chronic pain flare. He said the center doesn't do that, but he understands chronic pain & would do it personally. All my gratitude to this caring man!
selenak: (Young Elizabeth by Misbegotten)
German-French channel ARTE also put up the complete Wolf Hall, so I was able to watch the six parter they did based on Hilary Mantel's third Cromwell novel at last. What I thought of the novel itself, its plusses and minuses and how it deals with the history, you can read here, so this review is mostly about how it fares as a book adaptation and tv miniseries.

Spoilers have heretical opinions on Mark Rylance as Thomas Cromwell )
labingi: (Default)
Happy Bilbo and Frodo's Birthday! (In the great crossover 'verse in my mind, Frodo is 96 this year, I think. My math is bad, but for reasons unlikely to become apparent right now, my reference point is he's 46 years older than me, so.)

In honor of this year's birthday, I thought I'd respond Tolkienesquely to a video I recently watched, LibraryofaViking's "What Modern Fantasy Gets Wrong (and why it matters)," which is interesting and nuanced, and, its clickbaity title notwithstanding, respectful toward fantasy old and new.



Specifically, I want to respond to the video's reference to R. F. Kuang's defense of fantasy (and SF?) being ideological. I have not seen/read her speech. I'm responding to this video's reference to it; folks familiar with the whole are welcome to add context. I gather that Kuang defends ideological fantasy against the common (often rightwing) critique that it's being ruined by being too "ideological" or "political" (i.e. "woke"). As characterized by LibraryofaViking, she argues that it is artistically valid to take an ideological stand and pursue it didactically in a genre novel.

The Problem I See with (Some) Modern "Ideological" SF&F

I agree ideological didacticism is valid (i.e. it should be publishable and socially allowable, and it can have good artistic quality—Jemisin, for me, is an example; I haven't read Kuang). Likewise, I agree the rightwing critique often has a subtext that the problem is not (entirely) being ideological but being leftwing. It's not just critiquing bad writing; it's critiquing values the critic doesn't agree with and casting this disagreement as a question of "writing quality." Side note: these aren't separate issues; values and artistic quality are entangled, but they are also not the same thing.

That said, as someone often annoyed by the didacticism of modern SF&F, for me, the problem is not that it's ideological; it's that it's simplistic. Read more... )

Miss Austen (Miniseries)

Sep. 20th, 2025 02:21 pm[personal profile] selenak
selenak: (Max by Misbegotten)
Miss Austen: is a delightful four part miniseries. Now with the exception of the excellent Miss Austen Regrets, featuring Olivia Williams as an older Jane A., biographical media on Jane Austen has suffered from the usual flaw of biopics or bio series focusing on female authors, i.e. insisting on inflicting plots of their most popular work on their life. Miss Austen also avoids this, not least by the fact the titular Miss isn’t Jane, it’s her older sister Cassandra, played in middle age by a superb as usual Keeley Hawes and in flashbacks when young by SinnØve Karlsen, who is so versatile that despite having seen her being very good as Clarice Orsini, Lorenzo de’ Medici’s wife in Medici and superb most recently as Bayta in Foundation’s third season, I didn’t recognise her until googling her. (In addition to great acting, I blame the regency outfit and hairstyle in the flashbcks. *g*) Jane Austen is played by Patsy Ferran who is also great, both when being mischievous and witty, passionate about writing and her sister, and depressed (for various reasons, not least the early lack of success). In fact, this miniseries has led me to the conclusion that Jane Austen is like Benjamin Franklin in that the best way to treat her is as a supporting character where she can shine and leave the audience asking for more, whereas when Ben or Jane get the main character treatment, the increased focus reduces their charisma and attraction.

(This is also why back in my Highlander days, I never wanted a Methos spin-off, despite being as fond of the character as any other fan. He is perhaps THE example of a character who needs to remain a recurring guest star in order to maintain what makes their charm and mystery.)

Attend the saga of sisters and a sister-in-law… ) The script manages to avoid the obvious quotes while coming up for Austenish sounding things the characters to say, and does great both with the social comedy of manners and the emotional drama. All in all really superb. Anyone either German like me or French: I watched it on ARTE, which also offers the undubbed, original version. Enjoy!

Alien: Earth 1.07

Sep. 18th, 2025 04:28 pm[personal profile] selenak
selenak: (Agent Brand by Likeadeuce)
In which it's very useful to know the numbers of pi by heart. Or eye.

What have you done? )
selenak: (Ben by Idrilelendil)
RIP Robert Redford. A fantastic run of movies especially in the 70s as an actor, later as a director never made an uninteresting movie, founded a film festival of several decades running, and to the best of my knowledge never abused his fame and status and instead used both to help others.


To start the week with

Sep. 15th, 2025 11:59 am[personal profile] selenak
selenak: (Music)
Star Trek: Strange New Worlds finished its third season, and you may have deduced from the fact I didn't review the remaining episodes that for me, it did not take a turn for the better. The Ortegas episode was probably the most, in lack of a better term, Trekian, not to mention the long awaited one with a focus on Ortegas beyond "I fly the ship", but it shares with far too many ST: SNW episodes the way it is just incredibly derivative, of both other franchises and earlier ST. And the series finale chose to pick my least favourite DS9 plotline and scenario, sigh. To complete my turn to an old grouch, the feeling of this season as Star Trek: The Rom Com didn't help, either. Anyway. I'll always have Discovery and Prodigy in terms of new ST that manages to unite both affection for the past AND originality and the courage to try out new paths and characters.
*****

Given the daily horror show that is the news, it's all the more important to find joy in fannish things, so I was delighted to discover this new Sense 8 vid. Now there was a show celebrating joy and diversity:

Sense 8

Voice in my Throat

***

And on another joyful note: Yuletide nominations have started!
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